Melania Trump: what the former First Lady was like when she was a model
After yet another example of Alan Frideman's public male chauvinism, we want to remind everyone who Melania Knauss is, a model of Slovenian origins who was one of the most beautiful and well-known faces of the covers of the main fashion magazines, as well as a strong and decided.
Affirmations that leave a bad taste in the mouth, that sense of sadness that we should no longer feel in 2021. It happens that, even today, some characters who claim to be "journalist", bypass the code of ethics not only of the profession, but of the 'ethics.
"The president's escort", as the outgoing American first lady, Melania Trump, has been defined, only for being a beautiful woman, wife of a man of power.
Beyond the Italian political speculations, from right to left, we must remember who we are talking about and why; Melanija Knauss, was a model, daughter of a Slovenian milliner.
Melania and her path in the world of fashion
Melania was born in Slovenia on April 26, 1970 and from a very young age she embarked on a path as a model; she at the age of only 16, she signed a contract with an important fashion agency in Milan.
Her face soon became known for her Slavic charm and her icy eyes, starting to collaborate with the likes of Vogue, Vanity Fair and Allure.
Since 1996 she has started living in New York, increasing her visibility as a model and appearing on the covers of other magazines such as: Harper's Bazaar, FHM, In Style, Glamor, Ocean Drives GQ, New York times and Elle.
In 1996 she meets Donald Trump and also joins his modeling agency; her frequentation with the entrepreneur, especially in her early years, seemed very happy, as she also appeared in photos.
Many only know how to judge a woman for being the wife of a man with questionable choices, without knowing that her talent as a model of hers has brought her from a country in full post-Soviet crisis, to great strides on the catwalks of everything. the world.
After her rumors about her alleged separation from Trump, no one should feel legitimized to desecrate the figure of a woman so lightly.
Alan Friedman's words should clash with the harsh reality of a world that sees women only as accessories, furnishings in the shadow of powerful men; but, regardless of one's political orientation, speak in this way of a person whom one does not know. for the vulgar consent, he shows how much work still needs to be done on ethics, especially in the world of journalism.
