10 STARS WHO HAVE NOT BEEN IN A SINGLE BAD MOVIE
Well, maybe some regulation creeps in, but in the filmographies of these actors and actresses the great films dominate. And to achieve that you have to have a good eye. Are you agree with the list?
Although it seems impossible, there are infallible actors in Hollywood. It goes without saying that the criteria for classifying a film as "good" or "bad" are different for each person, but what cannot be denied is the kind of reception a film has in the critical community and the awards season. With these gauges, it is fair to say that this group of actors and actresses have hit the mark with their work and performances, making up an impressive filmography that is very difficult to beat. No, they haven't made a single bad movie. Regulator, perhaps. But, at the moment for some, her record is impeccable.
John cazale
When it comes to perfect filmographies, no one can beat John Cazale. Perhaps that is something of a trap, since the Italian-American actor only participated in five films in his entire career. But what films: 'The Godfather', 'The Conversation', 'The Godfather II', 'Dog Afternoon' and 'The Hunter'. Some of the best New Hollywood movies of the 70s, all of them nominated for Best Picture at the Oscars. Cazale died prematurely of lung cancer in 1978, ending what is possibly the best film career of any Hollywood actor.
Carey Mulligan
Since making her high school debut in Joe Wright's great adaptation of 'Pride and Prejudice' in 2005, it has all been hits for Carey Mulligan. Since Lone Scherfig's 'An education', the streak of applauded films in his filmography has been spectacular: 'Public Enemies' by Michael Mann, 'Never Leave Me' by Mark Romanek, 'Wall Street: Money Never Sleeps' by Oliver Stone , 'Shame' by Steve McQueen, 'Drive' by Nicolas Winding Refn, 'About Llewyn Davis' by the Coen Brothers, 'The Great Gatsby' by Baz Luhrmann, 'Far From the Madding Crowd' by Thomas Vinterberg, 'Suffragettes' by Sarah Gavron, 'Mudbound' by Dee Rees and 'What burns with fire' by Paul Dano. Amazing!
Leonardo Dicaprio
When, at just 20 years old, he was nominated for an Oscar for Best Supporting Actor for 'Who does Gilbert Grape love?', We already knew that we could be before one of the great actors of his generation beyond the appearance of a member by Backstreet Boys. In a couple of years he would become a mass idol with 'Romeo + Juliet' and 'Titanic', but the best would come later with his regular collaborations with Martin Scorsese ('Gangs of New York', 'The Aviator', 'The Departed' , 'The Wolf of Wall Street') and Quentin Tarantino ('Django Unchained', 'Once Upon a Time ... in Hollywood'), and working with Clint Eastwood ('J. Edgar'), Steven Spielberg ('Catch me if you can '), Ridley Scott (' Network of Lies'), Christopher Nolan ('Origin'), Sam Mendes ('Revolutionary Road') and Alejandro G. Iñárritu ('The Revenant'), who would lead him to win (finally) his first Oscar. We can say without fear of being wrong that she is one of the actors who best and most carefully chooses her projects.
Daniel Day-Lewis
Understandably, on this list is the actor who holds the record for Best Actor statuettes at the Oscars. And it is that the three awards of Daniel Day-Lewis (for 'My left foot', 'Wells of ambition' and 'Lincoln') attest that he is one of the great actors of his generation, one who gets into his roles with such intensity that he has threatened to quit the job on several occasions due to wear and tear. An actor of method, of race, who does not get into a project if he is not sure that it will be a masterpiece. At least that's what it looks like when you look at his filmography, from Michael Mann's 'The Last of the Mohicans' and Jim Sheridan's 'In the Name of the Father' to Paul Thomas Anderson's 'The Invisible Thread'.
Joaquin Phoenix
He is the most recent winner of the Oscar for Best Actor (for 'Joker') and one of the most admired actors of his generation. And that is possibly because he selects his projects in a risky and unpredictable way, playing numerous registers and pushing himself to the limit, as in 'Actually, you were never here' by Lynne Ramsay or 'The Master' by Paul Thomas Anderson. He has been in Oscar-winning big-budget films ('Gladiator', 'Walking a Tightrope') and also already iconic indies ('Her', 'Pure Vice'). He has worked with Gus Van Sant, Woody Allen, Ridley Scott, and James Gray. Of course, you do not have to take into account his teenage films. After all, we all have a past.
Cate blanchett
This is one of those actresses who act as a quality seal for a movie. His choices have been as diverse as they are impeccable: as soon as he begins with his enigmatic voice to the trilogy of 'The Lord of the Rings' as he wins an Oscar for opening the channel in 'Blue Jasmine' by Woody Allen, passing through his elegance in 'Carol' by Todd Haynes, her emotion in 'The Curious Case of Benjamin Button' by David Fincher, being the best possible villain in 'Cinderella' by Kenneth Branagh or with the interpretive exhibition that is marked in the multiple characters of 'Manifesto' by Julian Rosefeldt. It does not disgust even Marvel, with it she has participated in one of her most valued and imaginative films, 'Thor: Ragnarok'. Blanchett has even conquered prestigious television with 'Mrs. America'. What else is left to prove?
Philip Seymour Hoffman
Ever since we saw her in her hateful young supporting role in 'Essence of a Woman', we knew that Philip Seymour Hoffman was destined for great things. Well, maybe we had to wait a bit to figure it out, around the time he became a Paul Thomas Anderson movie regular, in 'Sydney', 'Boogie Nights',' Magnolia ',' Intoxicated of love 'and widely recognized as his best film,' The Master '. He put himself in the shoes of Truman Capote ('Capote'), immersed himself in the strange worlds of Charlie Kaufman ('Synecdoche, New York') and nailed his interpretations in 'The doubt', 'Moneyball: Breaking the rules' and' The most wanted man. ' His premature death left us without one of the most brilliant actors of his generation, but, removing the odd bump, his career is impeccable.
Tilda swinton
There is no Hollywood star with more diverse roles in her filmography than Tilda Swinton, and that includes countless radical image changes. A regular in the films of Wes Anderson ('The Great Budapest Hotel', 'Moonrise Kingdom'), Jim Jarmusch ('Broken Flowers', 'Only Lovers Survive') and Luca Guadagnino ('I Am Love', 'Suspiria' ), has participated in such acclaimed films as 'Orlando' by Sally Potter, 'Burn After Reading' by the Coen Brothers, 'The Curious Case of Benjamin Button' by David Fincher, 'We Need to Talk About Kevin' by Lynne Ramsay, 'Snowbreaker' and 'Okja' by Bong Joon-ho. We will forgive 'The Chronicles of Narnia'.
Benedict Cumberbatch
This British actor started strong with his television portrayal of Stephen Hawking on the BBC, and from there he has not stopped until he has become one of the most recognizable faces in Hollywood. From early (and great) roles in 'A Smart Boy', 'Atonement' or 'Four Lions', and with a lot of television behind him (including the acclaimed 'Sherlock'), he headed in a series of memorable roles in major productions (He stole the show in 'Star Trek Into Darkness' and is one of the mainstays of the Marvel Cinematic Universe as Doctor Strange) and has participated in Oscar-winning films such as Steve McQueen's '12 Years a Slave ',' The Imitation Game ( Deciphering Enigma) 'by Morten Tyldum,' August 'by John Wells and the recent' 1917 'by Sam Mendes. There are few objectionable films in his filmography.
Amy adams
This actress must be forgiven for her lukewarm beginnings in the industry with films like 'Cruel Intentions 2', but also to vindicate some undervalued 'rom-com' of her career such as' The Wedding Day ',' Enchanted: The Giselle Story 'or' It had to be you. But since these productions, Amy Adams' career has been flawless. Since her first Oscar nomination for Phil Morrison's 'Junebug' in 2006, the actress has been racking up hits, including John Patrick Shanley's 'The Doubt', 'The Fighter' and David O's 'The Great American Scam'. Russell, 'The Master' by Paul Thomas Anderson, 'Nocturnal Animals' by Tom Ford or 'The Arrival' by Denis Villeneuve. And where is your Oscar after countless nominations? Adams was slow to stabilize, but now her aim is unerring.
