Prince Harry and Meghan Markle have received encouraging news about their upcoming Netflix project, which comes despite ongoing skepticism over its potential success.
The California-based royal couple is set to executive produce a new polo-themed drama through their company, Archewell Productions, in collaboration with producers Josh Schwartz and Stephanie Savage. The show is reportedly set in Wellington, Florida, a hub for polo enthusiasts.
According to PR expert Renae Smith, the series could capture audiences—if it follows one essential guideline: keep Harry and Meghan behind the scenes.
Speaking to The Express, Smith explained, “In theory, this project has more potential than some of their previous efforts, but it could still go either way. If the show doesn’t focus on them, feature them, or include any cameos, it already has a better chance of connecting with viewers. That’s just the reality.”
She added, “There’s noticeable audience fatigue when it comes to content led by Harry and Meghan. People tend to engage more with projects where their names are attached in the background rather than being front and center.”
Smith also cautioned that past performance isn’t a guarantee for future success. “Meghan had considerable creative control over her own projects, and some didn’t land as expected. Even the polo documentary didn’t resonate widely. Two misses don’t mean the next one will automatically succeed. With scripted drama, the outcome depends heavily on the storyline, casting, and execution, and we don’t have enough details yet to make a full judgment.”
She emphasized the inherent appeal of the polo world: “Polo is surprisingly watchable. Shows set in these exclusive, members-only environments—whether high society in Florida or chaotic elite circles—draw audiences seeking escapism. It’s a peek into a lifestyle most people will never experience. That’s what makes it glossy, dramatic, and sometimes even a little chaotic.”
Smith concluded with advice for the project: “The key is honesty. Viewers enjoy watching stories about wealth and privilege as long as it’s presented authentically. What audiences don’t respond well to is being told it’s relatable or accessible when it clearly isn’t.”
